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Hi NCTE,

I took the US Trans Survey a while back and had some feedback, though I forgot to include it in the survey itself. In particular, my comment is about the gender/identity portion of the survey (question 2.2). It's great that you include a variety of nonbinary identities (fa'afafine, mahu, genderqueer, genderfluid, two-spirit, third gender,...) but I noticed a severe bias in terms of the more binary options. You offer a variety of options for masculine-of-center folks (AG, butch, stud,...) but you offer zero options for feminine-of-center folks. This contributes to the ongoing problem of femme/feminine erasure in feminist and LGBT communities. I identify very strongly as femme, in fact it's one of the few labels I "identify" with— far moreso than I "identify" with trans, fwiw.

While I did write in under the "other" option, I worry that this only serves to contribute to the ongoing erasure and underrepresentation of feminine identities. Having worked on a number of these sorts of surveys, here's a short list of reasons why:

  • Feminine-of-center folks will be undercounted because many will not feel strongly enough to write in.
  • The presentation of specific choices for masculine-of-center identities helps to funnel people towards particular terms, improving their statistical significance; whereas the lack of explicit options for feminine-of-center folks will result in a larger diversity of terms, thus decreasing each term's likelihood of reaching significance.
  • Attempting to correct for the previous point by aggregating all feminine-of-center identities serves to erase the diversity of femme/feminine identities: "femme" forms no more a singular identity than AG/butch/stud/etc forms a singular identity. The distinctions between high femme, hard femme, tomboy femme, etc are just as important as the distinctions between varieties of nonbinary or masculine-of-center identities.

While it is too late now to correct the 2015 survey, I do hope you take this into consideration when choosing how to report your results and when designing future surveys.

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I recently got a copy of the Mass Effect trilogy. And playing through it, I've been thinking a lot lately about relationships in video games. Not just romances; but yes, the romances. Not too long ago Mattie Brice wrote a piece on romance in roleplaying games, which also fuels this whole train of thought.

My deep desire is to see games take relationships seriously.

Taking relationships seriously means taking queer relationships seriously. And I don't mean having that token same-sex option which falls into all the same tropes as the hetero options. And yet some games can't even work themselves up to this barest nodding glance in the vague direction of where queer relationships might lie (ME2 I'm side-eyeing you). I always play the same-sex options. Because I want to, sure, but in truth because they're typically less painful than the alternatives. And though I'm disappointed every time, I still secretly nourish that yearning hope that maybe this time they might actually be, even if only in faint moments, queer.

Taking queer relationships seriously means taking sexuality seriously. Means acknowledging that not everyone falls squarely under labels like "lesbian", "bi", or "straight". Where are those who fall between? The heteroflexible people who can't treat their non-straight relationships with the same committed seriousness, can't treat them as "real"? Where are the protagonists who fall for those cads only to get their hearts broken? Where are the people who "know" they're straight or gay, but nevertheless find themselves falling for someone outside those narrow confines? The straight men suddenly unabashed to throw his heart before another man, when he's the right man? The dykes suddenly questioning entire lives, worrying about loosing cred with the circle of friends they've built lives up with? And where is the closet? Where are the queers too scared to express themselves, hiding behind heteronormative masques? Where are the lovers able to see through their façades, lovers safe enough or dangerous enough to break down the walls of silence? Heroes who open closet doors to expose a whole new life free from that secret fear? Villains who expose the lie, who beckon and seduce but leave vulnerable in the streets? And where are the queers who live in open closets, the kind who live mostly-straight lives but don't talk about what goes on beneath the sheets, the kind who will only flirt in solitary spaces and only then once they've discerned both your proclivities and your discretion?

The call for queer relationships is not a call for moar gayseks. Relationships are queer. The call for queer relationships is the call for real relationships. The kind of relationships that change you. People must learn to bend before they can learn to embrace. And sometimes bending, means breaking. Queerness is not about sex; queerness is about certain complexities in what it is to be human, complexities that emerge once we become willing to take human lives and their stories seriously. Where do we find these stories of growth and loss and adaptation? We're willing to tell them and see them in books and in movies. The fact that they are so suspiciously lacking in games tells us we don't take games seriously. Games aren't a medium for telling stories. Games can't make us cry and scream, can't make us feel joy or loss. Games can't expose us to truth, can't change the ways we see the world, can't make us question long-held beliefs. Games can't break open our hearts and minds, can't be carried around within us, can't get under our skin, worm their way into thoughts, leaving painful burrows begging to be filled, by a way of living, by a faith, by more stories. Games can't, because we won't let them.

Taking relationships seriously means taking human lives seriously. Relationships are not built by accumulating points. It's not a matter of giving enough gifts, or the right gifts, or parroting the right lines at regular intervals. Connections are not made between people who agree entirely in all things. Connections are made through conflict: through shared suffering at the hands of external conflict, and through the delicate interpersonal conflict of establishing and relinquishing personal boundaries. Conflict exposes vulnerability, and when that exposure is intentional, when that vulnerability is respected and reciprocated, emotional connections are formed. Which is why we so often hate those who see us break down. Which is why the wrong gaffe or an unintentional insult can destroy a relationship. Which is why miscommunications matter so much.

Which is why human relationships are never binary. Jealousy is not a problem for couples, there is always a third, an intrusive third whose feet disrupt the lines we spent so long to draw. There can be no lingering looks nor wandering eyes without someone, something, to be held in those eyes. We love and hate those who remind us of who we've loved, of who we've been. Serial monogamy is not monogamous. Every lover we've ever taken is still within us; without them we would not be who we have become. Our new relationships are formed as much around the scars of past relationships as they are around the current participants. Who we allow ourselves to love depends as much on who we allow society to see us love as it does on whom we actually cherish. To elide the community within which a relationship forms is to elide the content and significance of that relationship. To say nothing of our elision of the plurality of relationships. Even in our monogamist culture we admit that romances exist alongside other intimacies: deep friendships formed around a shared survival of violence, abuse, or loss; familial bonds in cultures where family still means something; camaraderie in work or revolution. But the stories our games our allowed to tell elide these other intimacies as surely as they elide the possibility of being in faithful committed sexual/romantic relationships with more than one partner.

Taking relationships seriously means seeing them as a state of being, not as a destination. Game romances are (almost1) invariably fixated on consummation— either having sex for the first time, just before the last mission; or giving birth after having gotten married. This focus on consummation is profoundly sexist. It reiterates the fuck-'em-and-leave-'em ideology which prevents women and forbids men from forming healthy lasting relationships. It reinscribes the toxic ideology that intimacy can only mean sex, and that the only purpose of sex is procreation. Not only is this focus on consummation sexist, it does a profound disservice to the characters involved. The sexism not only objectifies real-world humans, denying them a rich inner life in which relationships can actually bear meaning, it also objectifies the characters, rendering them into caricatures, denying them the possibility of being well-rounded well-textured images capable of signifying the rich complexity of real-world relationships.

Imagine. In ME3 when Shepard starts having nightmares, imagine if rather than sitting on the edge of the bed trying to comfort herself in a dark and empty room, imagine if instead her lover were there to comfort her in those moments. Imagine how much more meaningful it would be to see the impact of those nightmares on their relationship, to see how those moments of intimacy help Shepard keep it together. Or if she doesn't have a lover at that point, then imagine how much more meaning there would be in that dark and empty room, in the isolation of being a hero, in the hollow silences of all the dead she's left behind. From a programming and scriptwriting perspective, adding the lover into these scenes would be trivial; and yet, this moment for enriching the story is overlooked because relationships are only about consummation, not about shared lives.

This is not simply a call for a less sexist society and for healthy attitudes towards relationships, this is a call for game-writers to stand up and embrace games as a valid literary medium. Just think of all the stories games deny themselves by refusing to address the full spectrum of sexual identities, by refusing to address relationships that change the participants, by refusing to address the many different forms of intimacy or the plurality of our relationships, by refusing to consider the communities in which these relationships are formed, by refusing to explore everything that happens after the first time they have sex. Even in our sexist society we already tell these stories in other media, so why not in games?


[1] With a few notable exceptions like the Persona series and Catherine.

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[Content warning: discussion of rape culture and child abuse]

Transitioning is a mindfuck. Doesn't matter how prepared you are, how sure you are, how long and deeply you've thought about gender/sexuality issues. Outside of transitioning1 we have no way of inhabiting more than one position in any given discourse. Sure, we can understand other positions on an intellectual level, we may even sympathize with them, but we cannot empathize with what we have not ourselves experienced, and even having experienced something in the past does not mean we can continue to empathize with it in the present. Julia Serano emphasizes this epistemic limit in her books. And it's no wonder that no matter how prepared you may be, completely uprooting your sense of self and reconfiguring the way the world sees, interprets, and interacts with you is going to fundamentally alter whatever notions you had going into it all.

Since transitioning none of the major details of my identity have changed. I'm still a woman. Still feminine. Still a flaming lesbo. Still kinky, poly, and childfree. Still attracted to the same sorts of people. Still into the same sorts of fashion (though now I can finally act on that). Still interested in all the same topics, authors, and academic pursuits. And yet, despite —or perhaps because of— all this consistency, transitioning is still a mindfuck.

Read more... )
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Someone asked recently whether it's bad to seek "signs" of being trans from the past, and why or why not. This question is one which deserves to be more widely circulated. Within trans circles a fair number of people have an understanding of the situation and it's complexity, but it's something I think non-trans circles should also be aware of— especially given the recent publicity surrounding trans lives.

The problems are twofold:

A lot of people look for signs because they're seeking some sort of validation. The problem here is that you end up misinterpreting and overanalyzing your own life in search of that validation. It's not that the past cannot provide validation for your present, it's just missing the point. What we want (more often than not) is acceptance of who we are now and recognition for our current experience. There's more to current identities, pains, and experiences than the past that gave rise to them, so validation can come from sources other than the past. Moreover, it's all too easy for people to "validate" your past while simultaneously invalidating your present, so validation from the past is not stable. Altogether, none of this is trans-specific: it's a general problem with seeking retrospective validation; and it also applies to people who've suffered abuse, experience mental illness, have changed careers, etc.

The second problem is that, in overanalyzing our pasts in search of validation, we all too often end up reinscribing "standard" trans narratives. If our pasts do not fit the "standard" narrative then we will not find the validation we seek, thus we will call our current understanding even further into question, and this sense of invalidation will only make us feel worse. If our pasts only partially fit the "standard" narrative then, in search of validation, we will highlight those memories and background the others; thus denying ourselves the full actualization of our personal history, and invalidating at least in part who we are. And if our pasts (somehow) completely fit the "standard" narrative then, in holding that history up as "proof" of our legitimacy, we end up marginalizing and invalidating everyone with different narratives. Again, this isn't a trans-specific problem (cf., "standard" narratives of gay lives or depression prior to, say, the 1970s.); though it's especially problematic for trans people because of the dearth of public awareness that our narrative tapestries are as rich and varied as cis narrative tapestries.

There's nothing wrong with seeking support for your current self from your past memories. Doing so is, imo, crucial in coming to understand, respect, and take pride in our selves. The problems of retrospection are all in the mindset with which it is pursued. We shouldn't rely on "born this way" narratives in order to justify the fact that, however we were born, we are here now and in virtue of our presence alone are worthy of respect and validation.

Fwiw, I do very much value my "signs", and often share them as amusing anecdotes— both to foster understanding, and to destabilize people's preconceived notions. But I do not seek validation in these signs; they're just collateral: symptoms of, not support for, who I am.

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Although the words have superficially similar pronunciations, performativity and performance are two extremely different notions. In her book Gender Trouble (1990) and its sequel Bodies That Matter (1993), Judith Butler put forth the thesis that gender identity is performative. Over the last decade performance-based theories of gender and identity have become popular, even mainstream, despite a number of deep-seated and readily-apparent flaws. Unfortunately, these latter performance-based theories are often portrayed as successors of Butlerean performativity. They're not.[1]

To understand performativity one should go back to Austin's original definition of performative speech acts. Whenever we speak, we speak for a reason. Austin was interested in explaining these reasons— in particular, explaining the contrast between what we say and why we say it. When we ask "could you pass the salt?" we are not literally interested in whether the addressee is capable of moving the salt shaker, we're making a request. When we ask "how do you do?" or "what's up?" we do not actually want an answer, we are merely greeting someone. It is within this context of discussing the why behind what we say that Austin became interested in performative speech acts: speech acts which through their very utterance do what it is they say, or speech acts which are what it is they mean. When the right person in the right context utters "I now pronounce you married", that vocalization is in fact the pronouncement itself. To state that you pronounce something, is itself to make the proclamation. In just the same way, when under the right circumstances someone says they promise such-and-so, they just did.

There are a number of interesting details about what it means to be a performative speech act. For instance, just uttering the words is not enough: if a random stranger comes up to you and pronounces you married, that does not actually mean you're married. For the performative speech act to have any force it must be uttered in a felicitous context (e.g., the words must be spoken with the proper intent, the pronouncer of marriage must be ordained with the ability to marry people, the partners must be willing, the pairing must be of an appropriate sort according to the bigotry of the times, etc). Another detail is that performative speech acts do more than just enact what they say, they also create something: pronouncing a marriage constructs the marriage itself, declaring war brings the war into existence, giving a promise makes the promise, sentencing someone creates the sentence, etc. Because of details like these, claiming that a particular speech act is performative says a heck of a lot more than just saying the act was performed (i.e., spoken).

On the other hand, a performance is the enactment of a particular variety of artistic expression ranging from theatrical plays, to musical opuses, to religious ceremonies, to performance art, and so on. Whether a particular act is performative is independent of whether it is (a part of) a performance. Many performative speech acts are of a ceremonial nature (e.g., marriages, divorces, christenings, declarations of war, etc) and consequently we like to make a big affair of it. Thus, these particular acts tend to be both: they're performative performances. However, many other performative speech acts are executed with little fanfare: ordering food in a restaurant, apologizing, accepting apologies, resigning from a game, etc. These are all performative acts, and yet there's absolutely no need for any sort of performance behind them. Indeed we often find it humorous, or rude, or severe, when someone chooses to turn these performative acts into performances.

The distinction between performativity and performance is crucial to understanding the thesis Butler put forth. We can expand the idea of performativity to include not just speech acts, but other acts as well. Doing so, Butler's thesis is that one's identity as a particular gender is not something which exists a priori, but rather that it is constructed by the enactment —and especially the continuous ritualistic re-enactment— of performative gender actions. The specific claim being made is that one's gender identity is an artifact whose ontological existence arises from particular deeds, in the exact same way that a marriage is an artifact arising from nuptial ceremony, that a promise is an artifact arising from the swearing of a vow, that a state of war is an artifact arising from the declaration of its existence, and so on. The performative theory of gender is often paraphrased as "gender is something we do"— but this paraphrase is grossly misleading. The paraphrase elides the entire specific content of the thesis! Sure, gender is something we do, but it's something we do in very specific ways and it is in virtue of doing those things in those ways that we come to identify with our gender. That's the thesis.

As discussed before, there are some crucial issues with performativity as a theory of gender. (Though these issues can be corrected by changing the focus without giving up the crucial insight.) But the issue with performativity has nothing whatsoever to do with the fact that performances are artificial, that performances are interruptible, that performances can be altered on whimsy, that performances can be disingenuous, that performances are "only" art, etc. Those latter complaints are why performance-based theories of gender are flat out wrong. And they're evidence of why claiming that performance-based theories were built upon performative theories grossly misconceptualizes performativity.


[1] Don't take my word for it, Butler herself has continually argued that performance-based theories are a gross misinterpretation of her work (Gender Trouble, xxii–xxiv; Bodies That Matter, 125–126; "Gender as Performance: An interview with Judith Butler", 32–39; Judith Butler (by Sara Salih), 62–71).

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I'd like to take this moment to point out that all forms of binarism are bad. (Including the binarist notion that all things are either "good" or "bad".) I feel like this has to be pointed out because we, every one of us, has a nasty habit: in our overzealousness to tear down one binary, we do so by reinforcing other binaries. So let me say again. All forms of binarism are bad.

It's well-known that I've had a long, fraught history with certain "feminist" communities, due to which I have heretofore disavowed that label. Because of these persistent conflicts, around ten years ago I retreated from feminist circles and communities. However, over the past year I have rejoined a number of feminist circles— or rather, I have joined womanist, black feminist, transfeminist, and queer feminist circles. And thanks to this reinvolvement with feminist activism I have come, once again, to feel a certain attachment to that word: "feminist". The attachment feels strange to me now, having disavowed it for so long in favor of "womanism", "black feminism", "transfeminism", and "queer feminism". But because of this attachment I feel, once more, the need to reclaim feminism away from those "feminist" communities whose philosophy and political methods I continue to disavow.

So, to piss everyone off once more: a manifesto. )

Edit 2014.07.13: Added footnotes [2] and [3].

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As discussed last time there's a deep-seated problem with performativity as a theory of social categorization. Specifically, it puts the focus on the wrong thing. That our actions are performative in nature gives us important insight into the role agency plays both in forming our own identities and in defending those identities against silencing, marginalization, oppression, and colonialism. But, by centering discussions of identity on our own personal agency we miss out on other important facets of the issue. When we say that someone belongs to a category, we do so because we've decided they belong to the category, or because we think they belong to the category. The statement that they belong to the category is not merely true (or false), we are projecting it to be true (or false). That is, we do not passively observe people's gender, race, class, etc; instead we actively project our own notions of gender, race, class, etc upon them. This projecting of beliefs onto others is called projectivism[1].

Interestingly, by localizing "truth" as the beliefs we hold to be true[2], the projective act is itself performative: by projecting something to be true, one comes to believe that it is true. And yet there is no reason to suppose these beliefs are correct (local truths need not be global truths), nor that they will agree with others' beliefs (local truths need not be true in other locales). Crucially, in the case of categorizing or identifying ourselves, we have access to our own personal thoughts, feelings, memories, subconscious inclinations, etc. Whereas, when others are categorizing us, they do not; they can only observe our bodies, our actions, and the results of our actions. Thus arises the discrepancy in cases like transgenderism. When self-identifying, we may well prize our internal observations over our externally observable state. Nevertheless, others will continue to project their categorizations upon us, regardless of our self-identification.

Not only do people project categories onto others, we do it compulsively. Our persistent and ubiquitous gendering of others is an especially powerful example, but it is in no way unique. Projecting race is another example. And in professional cultures where there are sharply contested borders between "tribes" (e.g., academia and hacker culture), projecting these "tribes" is yet another. This compulsive projectivism —or, more particularly, our unconsciousness of it— is where issues arise.

When we are not typically confronted with evidence that our projections are mistaken, our projectivism becomes almost unconscious. Once there, we fail to notice the fact that we are actively projecting and we come to believe we're passively observing truths about the world. So when our projections turn out to be mistaken, we get a feeling of betrayal, we feel like the person whose identity we were mistaken about was "lying" to us. This subsequent projection that they were "lying" stems from the fact that we mistook our earlier projections for mere observations. Thus, because of an original error on our part, we end up imputing that others are being dishonest or deceptive.

When the identity one desires to be seen as (which may differ from the identity they claim for themselves) is often or easily at odds with the identities projected upon them, they understandably become concerned about trying to avoid these projections of "lying". If one can successfully avoid projections of "lying" they are said to "pass", terminology which turns around and suggests that they were in fact lying the whole time and only managed not to get caught. This terminology is, of course, deeply problematic.

Simply acknowledging compulsive projectivism is not enough. To undo the damage caused by misgendering, racial profiling, stereotyping, and other misprojections, we must lift this knowledge up and remain consciously aware that the beliefs we project onto others are not an observation of their identities. We must denaturalize the projectivist assumption that our beliefs are others' truths, by discontinuing the use words like "passing" which rely on that assumption. And when we feel betrayed we must locate that feeling within ourselves and stop projecting it in bad faith. The performative theory highlights the positive role of agency in our lives, but agency alone is not enough. The projectivistic theory extends this to highlight the negative role of agency when used to deny or overwhelm the agency of others.


[1] I do not mean this terminology to be the same as Hume's notion of projectivism, though of course both terms have the same etymology. Hume's projectivism is popular in the ethics literature, with which I am largely unfamiliar; thus, my use of the term here is not meant to entail whatever baggage it may have accrued in that literature.

[2] While it is not usually presented as such, Austin's original definition of performative speech acts should also only hold up to localized truth. In the classical example "I now pronounce you married", by saying the words one does the deed of pronouncing the couple to be married. However, the pronouncement of marriage does not cause the couple to be married in a universal sense; it only causes them to be married in the current jurisdiction, and a different jurisdiction may or may not recognize that marriage as valid. Because the marriage must be localized, therefore the pronouncement of marriage must be localized: one can't pronounce a couple to be married (everywhere), they can only pronounce them to be married (here, or there, or wherever). Thus, the deed performed by the utterance of the words is a localized deed: the pronouncement of a localized wedding.

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When it comes to explaining the social categorization of people, I've been an advocate for performative theories since long before they became popular/mainstream. To be clear, I find the current mainstream notions of performativity deeply problematic because they overemphasize social constructivism and fail to highlight what I see to be the actual insight behind the original formulation of performativity. But all the same, I've long been a fan of (my understanding of) performativity.

However, in the tail end of chapter 8 of Whipping Girl, Julia Serano raises a major complaint against performative theories of sex/gender in particular— a complaint I agree with wholeheartedly, and which is not easily reconciled. Before getting into the problem she raises, I should probably explain what performativity is and why I've been such an advocate for it.

The Question

What does it mean to be human, or a woman, or an atheist, or a scientist? For any specific categorization the exact details will vary, of course. The question I'm asking is, once we abstract over the particular category, what does it mean to say that some person does or does not belong to that category? Many social categories are uninteresting in this regard. I am an IU student in virtue of the fact that I am registered here, pay tuition, attend classes, etc; there's a clear definition, and that definition is wholly uninteresting and uncontroversial. However, for many categories things aren't so cut and dried.

Read more... )
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Chapters 4 and 5 capture much of the experience of transitioning and of being trans, respectively. These are the chapters which so many trans memoirs convey in their narration, though often they avoid stating it quite so directly. Both chapters do a good job of conveying the lived experience of trans women, and are well worth reading by cis audiences for that reason.

Read more... )


Chapter 5 especially was nice to read as it cuts to the core of the fact that there are both conscious and subconscious components to our experiences of (our own) gender. Read more... )

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I'm finally getting around to reading Julia Serano's Whipping Girl (2007), and I thought I'd make a few comments as I go along.

The first couple chapters are, by and large, an introduction to the terminology standard in gender studies and transgender circles. For those already familiar, it's light reading; though there are a few important notes of positioning. The first, and one I agree with wholeheartedly, is explicitly stating that "sex" is a socially constructed concept— exactly as "gender" is. Read more... )


The second positioning Serano makes is one I take issue with. Serano names herself a feminist and considers her work in exposing and discussing trans issues to be part of the feminist enterprise. Read more... )


The most interesting point so far is her distinguishing between anti-female ideologies and anti-feminine ideologies. The distinction between femaleness and femininity should make sense to anyone. Serano goes a bit further in trying to systematically distinguish them and to identify when particular acts serve to subjugate women vs subjugating femmes. Feminism, for example, is very pro-female and has successfully built a world where it is natural to say "men and women are equal"; however, it has done so largely at the cost of sacrificing femininity— a woman can do anything a man can do, just so long as she's not too girly about it. I very much hope Serano delves into this topic more.

TDOR

20 Nov 2013 02:06 am
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On this day we remember our dead.

When right-wing bigots lie and fabricate stories about trans* people, you look at our dead and tell me with a straight face who should fear whom. While you worry about your kids feeling nervous about nothing happening, I'm too worried for the children who will one day soon be shot, strangled, suffocated, stabbed, tortured, beheaded, lit on fire, and thrown off bridges simply for existing.

And you on the left: I love all you queers, and I'm glad for your victories; but the next time you celebrate an "LGBT" victory you take a long hard look at your history of throwing that "T" under the bus and you look at our dead and tell me with a straight face how it's not yet time to fight for trans* rights.

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Google has their well-known unofficial motto "don't be evil". However, as they have grown as a corporation they often run into issues living up to that motto. As a recent example, Google is a major sponsor of this year's Conservative Political Action Conference. Conservatism alone is not evil, however this conference gives platform to anti-gay and white supremacist bigotry. There's a Change.org petition which has more details on the issue. Do go read it, and please sign it if you agree with the points made there.

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All you hackers should read this. True to form, I came to hacking late, much despite a strong interest in mathematics as a child. (For those who may not be aware, mathematics does not have the same gender inequity problems CS does.) These sorts of privilege contests have always pissed me off, not just because of the machismo involved but also —though I did not have the words at the time— exactly because of their brandishing of white male privilege as virtuous and ideal.
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I've said it before. I am not ashamed to say it. But noone understands it. I think there is a lot of wisdom in feminism. I do not generally disagree with feminism when practiced. But I am not a feminist. Some readers might think that this has something to do with the false notion that men can't be feminists. It does not. Some readers more familiar with my multifarious interest in gender and sexuality may think perhaps that is why I am drawn to queer theory and its ilk rather than to feminism. It is not.

Many friends of mine, however, both here on the internet and in my daily life, are themselves feminists. And I do have, as I mentioned, quite an interest in gender and sexuality and the ways in which they interact with the social, political, economic, cultural, linguistic, and psychological spheres of the world, as well as how we can go about disentangling this menagerie of thousand-dollar words in order to say something meaningful about what is a central facet of most people's lives and how we can use that knowledge to strive for greater equality. So some have found it curious that I eschew the title.

for reasons why, and history personal )
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